Selected writings:
Ikeshiro, Ryo. Forthcoming 2024. “Audiovisualisation: Reviving the spectre of optical sound and Structural / Materialist film.” In Collaboration, Engagement, and Tradition in Contemporary and Electronic Music: NoiseFloor Perspectives, edited by Marc Estibeiro, Dave Payling and David Cotter. Routledge, London.
Ikeshiro, Ryo, Damien Charrieras, and PerMagnus Lindborg. 2022. “Charting the scene(s) of sonic arts in Hong Kong.” Organised Sound 27, no. 3: 369 – 378.
Ikeshiro, Ryo, and PerMagnus Lindborg. 2022. “SoundLab, a spatial audio research/practice unit in Hong Kong.” 27th International Symposium on Electronic Art (ISEA), Barcelona.
Ikeshiro, Ryo. 2022. “Non-standard possibilities in sonification and machine learning at audio rate.” Xenakis 22: Centenary International Symposium, Athens.
Ikeshiro, Ryo, and PerMagnus Lindborg. 2021. “SoundLab and Electroacoustic Music in Hong Kong.” Korean Electro-Acoustic Music Society’s Annual Conference, Seoul.
Ikeshiro, Ryo. 2021. “Construction in Kneading: Audiovisualising the Mandelbox.” In Proceedings of International Conference for Auditory Displays (ICAD).
Ikeshiro, Ryo. 2021. “bug.” In Art Machines 2: International Symposium on Machine Learning and Art 2021 (AM2), 273-274. School of Creative Media, City University of Hong Kong.
Ikeshiro, Ryo, and Atau Tanaka. 2019. “Sound in Japan: Silence, Noise, Material, and Media.” In Sound Art: Sound as a Medium of Art, edited by Peter Weibel, 654-667. ZKM/MIT Press.
Ikeshiro, Ryo. 2016. “Real-Time GENDYN Audiovisualisation.” Seeing Sound, Bath.
Ikeshiro, Ryo. 2015. “GENDYN, Noise and the Virtual: smooth space-time, affect and entropy in the stochastic synthesis of Xenakis.” In Colloque international: Xenakis. La musique électroacoustique. International Symposium: Xenakis. The electroacoustic music, 255-274. Editions l’Harmattan.
Ikeshiro, Ryo. 2014. “Audification and Non-Standard Synthesis in Construction in Self.” Organised Sound 19, no. 1: 78-89.
Ikeshiro, Ryo. 2014. “Real-Time GENDYN Audiovisualisation.” 9th Conference on Interdisciplinary Musicology – CIM14. Staatliches Institut für Musikforschung Preußischer Kulturbesitz, Berlin.
Ikeshiro, Ryo. 2014. “GENDYN and Merzbow: Xenakis’s dynamic stochastic synthesis as noise.” Empirics, Computation, Mathematics, Science and Technology in Music and Acoustical Signal Analysis (ECMST ~ MASA). Staatliches Institut für Musikforschung Preußischer Kulturbesitz, Berlin.
Ikeshiro, Ryo. 2013. “.” PhD diss., Goldsmiths, University of London.
Ikeshiro, Ryo. 2012. “Audiovisual Harmony: The realtime audiovisualisation of a single data source in Construction in Zhuangzi.” Organised Sound 17, no. 2: 148-155.
Ikeshiro, Ryo. 2010. “Generative, emergent, self-similar structures: Construction in Self.” In 2010 International Computer Music Conference (ICMC 2010), 365-368, International Computer Music Association.