Selected writings:
Ikeshiro, Ryo. 2026. “Beyond the Screen and in Between Art forms: Ambisonics, 360-Video and Audio-Visual Practice in Hong Kong.” In Audio-Visualism Reframing Relationships Between Sound & Image, edited by Steve Gibson, Yan Breuleux, Joseph Hyde, and Donna Leishman. Routledge, London.
Ikeshiro, Ryo, and Ashley Wong. 2026. “Sonic Topologies: Hong Kong – A Multisensory Interactive Installation.” Leonardo 59, no. 3: 278–286.
Ikeshiro, Ryo. 2025. “Reflections on teaching in the age of AI and sonic art with Chinese characteristics.” In Ideas Sónicas / Sonic Ideas no. 33: 45 – 49.
Ikeshiro, Ryo. 2024. “Audiovisualisation: Reviving the spectre of optical sound and Structural / Materialist film.” In Collaboration, Engagement, and Tradition in Contemporary and Electronic Music: NoiseFloor Perspectives, edited by Marc Estibeiro, Dave Payling and David Cotter, 271-288. Routledge, London.
Lindborg, PerMagnus, and Ryo Ikeshiro. 2023. “SoundLab, first three years [studio report].” In 2023 International Computer Music Conference (ICMC 2023): The Sound of Changes, 70-72. International Computer Music Association.
Ikeshiro, Ryo, Damien Charrieras, and PerMagnus Lindborg. 2022. “Charting the scene(s) of sonic arts in Hong Kong.” Organised Sound 27, no. 3: 369 – 378.
Ikeshiro, Ryo, and PerMagnus Lindborg. 2022. “SoundLab, a spatial audio research/practice unit in Hong Kong.” 27th International Symposium on Electronic Art (ISEA), Barcelona.
Ikeshiro, Ryo. 2022. “Non-standard possibilities in sonification and machine learning at audio rate.” Xenakis 22: Centenary International Symposium, Athens.
Ikeshiro, Ryo, and PerMagnus Lindborg. 2021. “SoundLab and Electroacoustic Music in Hong Kong.” Korean Electro-Acoustic Music Society’s Annual Conference, Seoul.
Ikeshiro, Ryo. 2021. “Construction in Kneading: Audiovisualising the Mandelbox.” In Proceedings of International Conference for Auditory Displays (ICAD).
Ikeshiro, Ryo. 2021. “bug.” In Art Machines 2: International Symposium on Machine Learning and Art 2021 (AM2), 273-274. School of Creative Media, City University of Hong Kong.
Ikeshiro, Ryo, and Atau Tanaka. 2019. “Sound in Japan: Silence, Noise, Material, and Media.” In Sound Art: Sound as a Medium of Art, edited by Peter Weibel, 654-667. ZKM/MIT Press.
Ikeshiro, Ryo. 2016. “Real-Time GENDYN Audiovisualisation.” Seeing Sound, Bath.
Ikeshiro, Ryo. 2015. “GENDYN, Noise and the Virtual: smooth space-time, affect and entropy in the stochastic synthesis of Xenakis.” In Colloque international: Xenakis. La musique électroacoustique. International Symposium: Xenakis. The electroacoustic music, 255-274. Editions l’Harmattan.
Ikeshiro, Ryo. 2014. “Audification and Non-Standard Synthesis in Construction in Self.” Organised Sound 19, no. 1: 78-89.
Ikeshiro, Ryo. 2014. “Real-Time GENDYN Audiovisualisation.” 9th Conference on Interdisciplinary Musicology – CIM14. Staatliches Institut für Musikforschung Preußischer Kulturbesitz, Berlin.
Ikeshiro, Ryo. 2014. “GENDYN and Merzbow: Xenakis’s dynamic stochastic synthesis as noise.” Empirics, Computation, Mathematics, Science and Technology in Music and Acoustical Signal Analysis (ECMST ~ MASA). Staatliches Institut für Musikforschung Preußischer Kulturbesitz, Berlin.
Ikeshiro, Ryo. 2013. “.” PhD diss., Goldsmiths, University of London.
Ikeshiro, Ryo. 2012. “Audiovisual Harmony: The realtime audiovisualisation of a single data source in Construction in Zhuangzi.” Organised Sound 17, no. 2: 148-155.
Ikeshiro, Ryo. 2010. “Generative, emergent, self-similar structures: Construction in Self.” In 2010 International Computer Music Conference (ICMC 2010), 365-368, International Computer Music Association.